A very large proportion of Alexander Kluge’s films obey a principle of editing that seeks to produce « constellation and plurality » within a film itself. This constellation is achieved by the confrontation of different images and texts. The realities of different types  act as a form of cooperation. It is a cooperation between the different elements (images, music and text) that Alexander Kluge seeks to maintain autonomously. The lecture shed light on Kluge’s unique vision in filmmaking in relation to the theme of « interdepence ».